Winner of the BNG Bank Prize Mohamed Yusuf Boss explores the fragmented self in Líx.
‘People are trapped in history and history is trapped in them.’
James Baldwin
Proceeding from the idea that one’s history is not something in the past, but something that is stored inside one, he explores his bicultural background. What does it mean to grow up in the Netherlands as a first generation Somali? What happens when histories meet? And not only histories, but also the dance languages of Mohamed, hip-hop, and the traditional Somali dance Jaandheer?
LÍX (the number six in Somali) is the third part of a series of performances that Boss and his company _X_YUSUF_BOSS has created. Where the central question in KÒW was ‘how do you relate to your surroundings?’, and in AFAR ‘how do you relate to the other?’, LÍX poses the question, ‘how do you relate to your self?’
AINSI theaterzaal
Save to wishlist
WARNING: THIS PERFORMANCE USES STROBOSCOPIC EFFECTS
Supported by
Grand Theatre
Fonds Podiumkunsten (Nieuwe Makers)
Gemeente Groningen
Choreography Mohamed Yusuf Boss in collaboration with the Dancers
Dancers Ser Sebico, Tara Salahshor, Mohamed Yusuf Boss
Artistic support Shara Maaskant
Vocals / Rap Gemale Bofunda
Lyrics Sakaria Ahmed
Composer Rik van den Heuvel
Cinematographer Farhad Khodadadzade
Videomapping Irie Weergang Bove
Scenographer / Light design André Pronk
Tech Light / Audio / Video Ronald Moerman, Merijn Boers
Styling Hanne Staal
Artwork & Design Martijn Halie
Production Lucas Winkel
Dramaturgy Merel Heering